.: March 30, 2005.: April 30, 2005,Mode(s)Cold Fear is a 2005 developed by and published by for,. It was Ubisoft's first horror game, and Darkworks' second game, after in 2001. The game is centered on Tom Hansen, a member of the, who comes to the aid of a Russian in the and finds a mysterious has turned the crew into -like creatures. Discovering the involvement of both the and the, Hansen sets out to ensure the parasites don't reach land.The game was first announced at (E3) in 2004. To make the ship, the developers had to write a completely new program (dubbed the 'Darkwave editor') to allow them to control movement on both the vertical and the horizontal axes.
Buy Cold Fear™ $9.99 Add to Cart. About This Game In a ferocious Arctic storm, distress signals are sent from a mysterious Russian whaler. As leading Coast Guard veteran Tom Hansen, you board to investigate and discover unthinkable horrors lurking beneath the ship's bloodstained decks. Excluding Off-topic Review Activity. Playtime: There. In Cold Fear, players step into the role of Tom Hansen, a U.S. Coast Guard who is sent to board a drifting Russian whaling ship in the middle of a howling storm on the Bering Sea, and there.
They also used real physics to simulate the movement patterns of inanimate objects on the ship. Due to the random nature created by this, the required nine times the amount of animations usually seen in third-person games. Ultimately, the game contained more than nine hundred separate animations for all characters, allowing for over five thousand possible character movements. The game's soundtrack was composed by, with contributing a song from his 2003 album.Cold Fear was met with mixed reviews, with many critics comparing it unfavorably to. Although critics were generally impressed with the environments and the opening scenes, they found the game too short and felt it failed to live up to its promising beginning.
The game was a commercial failure; by February 2006, it had sold only 70,000 units across all three platforms in the United States. Contents.Gameplay Cold Fear is a played from either a or an, depending on the player's preferences.The main enemies in the game are Russian and various types of -like creatures known as 'Exos' (creatures infected by a organism known as an 'Exocel'). Exos include 'Exomutants' (mercenaries infected with Exocels), 'Exoshades' (creatures which can see perfectly in the dark), 'Exospectres' (which can turn transparent for brief periods of time) and 'Exomasses' (a hugely strong but deformed creature created as a result of a failed experiment). Most infected enemies can be knocked down with two or three shots, but unless the brain is destroyed, they will not die, and will eventually attack Hansen again. Players can destroy the brain either by shooting enemy in the head, or knocking them down and stomping on their head.
If an enemy gets close to Hansen, the player can perform a critical hit by pressing a combination of buttons. All exos carry at least one exocel within them.
When the exo is killed, the exocel may emerge and attack Hansen, or, if there are any other dead bodies in the area, infect and re-animate that body. Exocels are fast, but very weak and can be killed with one gunshot.
Hansen holds onto a railing with his left hand to stop himself from sliding across the deck of the Eastern Spirit, while aiming a gun at a nearby enemy with his right. Note also the object attached to the cable swinging freely in the environment.The first half of the game is set on a in the middle of a storm, and the conditions on the affect the degree of control the player has over Hansen. As the ship continuously from side to side, aiming is made more difficult, although Hansen can grab onto a ledge to steady himself, if one is available. In some instances, the ship can sway to such a degree that Hansen will slide towards the edge and potentially fall overboard. There are also numerous environmental hazards on the deck which react to the motion of the ship, such as swinging electrical wires and crates hooked up to ropes. If any of these items hit Hansen, he will lose. Waves crashing on to the ship's deck can also cause Hansen damage.The game also features a Resistance gauge, which decreases as the player performs certain actions, such as running, although running is not possible when in over-the-shoulder mode.
If Hansen falls off the edge of the ship, he can hang onto the side as long as he has resistance left, but if he doesn't climb back aboard quickly enough, he will fall into the ocean.The game does not feature an inventory, and neither health packs nor ammo can be stockpiled. Health packs are used immediately upon collection, and no more ammo can be collected than the capacity of the specific weapon. Players can find ammo and health packs distributed throughout the game at certain predetermined locations and also by looting the bodies of fallen enemies. Plot The game begins with a team deploying on a Russian, the Eastern Spirit, in the. As the team explore the, they are attacked and killed by something that literally rips them apart. Seeing his team is gone, Special Agent Jason Bennett, who is supervising the mission from another location, orders any other government vessel in the vicinity to investigate. His call is picked up by the ship, the Ravenswood, which heads to the Eastern Spirit.
The crew of the Ravenswood split into teams, but within moments of boarding, only one remains; Tom Hansen, who hears his shipmates being killed over the radio. He sets out to explore the ship and determine what is happening.As soon as he enters the interior of the Spirit, however, he is attacked by two frightened Russians, who he is forced to kill. As he continues to explore, he encounters a multitude of panicking Russians, all of whom attack him. He also finds several horrifically mutilated bodies, including that of the Ravenswood 's captain, Lt.
Hansen soon learns of a creature known as an 'exocel', which was accidentally discovered by the crew of a Russian, the Star of Sakhalin, owned by Colonel Dmitriy Yusupov, a member of the, and staffed by Major Yuri Anischenko and his team of mercenaries. Yusupov came to realize the exocels were, which used other living organisms as, and as such, he brought Dr. Viktor Kamsky to the Sakhalin to begin experimenting with infecting various species with exocel. These experiments led to the discovery that exocels could re-animate recently deceased humans, and the creation of an to counter infection. Hansen heads to the radio room to request help, but instead he is answered by Bennett, who tells him that Yusupov is on board and must be captured for questioning.
Bennett tells Hansen that if he finds Yusupov, the CIA will get him off the ship.Hansen locates Yusupov, who tells him that Anna Kamsky, Viktor's daughter, is onboard and must be saved. Yusupov had brought her to Sakhalin to blackmail Viktor into turning the exocels into. Eventually, Viktor and his colleague, Dr. Pavel Bakharev, began to experiment on live human infection, and the Eastern Spirit was on its way from the Sakhalin to collect the next batch of human specimens supplied by the Mafia when the exocel outbreak occurred. An exocel then bursts out of Yusupov's chest, killing him.
Hansen finds Anna, who tells them they must go to the radio room and contact her father. They contact the rig, but Bakharev tells Anna that Kamsky is missing and pleads with her not to return. She says no, telling Bakharev she will see him soon.
They turn the ship back towards the Sakhalin but because the seas are so rough, they are unable to dock with the platform. As such, they head to the and jump from the ship when it collides with the rig. Hansen makes the jump, but Anna falls into the sea.Hansen soon finds Bakharev, who tells him that to disable the radio jammer around the rig so he can contact Bennett, he will need Anischenko to get him past a. Bakharev is then dragged into an air duct and killed. Hansen learns that Kamsky and Bakharev were under orders to make the exocels as dangerous as possible, which they had succeeded in doing, but without any way to control the resulting creatures.
Hansen finds and kills Anischenko, removing his eye and using it to deactivate the radio jammer. Once back in touch with Bennett, Hansen is told he must find Kamsky's laptop and transmit the exocel research. Meanwhile, Anna is rescued from the sea by a large creature and left in a lab, where she is infected by an exocel.
Seeing this take place on a security monitor, Hansen races to the lab to give Anna the antidote.He makes it to her in time and administers the antidote before the infection can take hold. Bennett then contacts him and Hansen makes him promise that if he gives Bennett the research, Bennett will save Anna. He soon discovers that Kamsky infected himself with a strain of exocel, and now wishes to do the same to Anna. Hansen finds Kamsky's laptop and transmits the antidote data to Bennett, but nothing else. As a furious Bennett berates Hansen, he and Anna agree to blow up the rig using.
As Hansen plants the charges, he learns Kamsky had gone completely insane; after infecting himself with exocel serum, he released the imprisoned exos on the rig and planted a group of exocels on the Eastern Spirit. He then went into hiding to await his metamorphosis. When Hansen has planted all of the charges, he heads to the to meet Anna.
Before they can take off however, they are attacked by a mutated Kamsky; the same creature who rescued Anna from the sea. Kamsky is desperate for Anna to remain with him on the rig, but Hansen is able to fight him off and kill him. He and Anna then escape in a helicopter as the rig explodes below them.Development Cold Fear was first announced at in 2004 when the title was included on a list of upcoming games.
According to, the game was set to be published. On October 6, however, announced they would be publishing the developed game in March 2005 for,. The game would be Ubisoft's first horror game, and Darkworks' second game, after in 2001. A playable demo version was released in December.To make the Eastern Spirit in the storm, the developers had to write a completely new program. They found that making the ship move was easy, but getting it to respond to storm conditions was much more complex.
As such, they created a complete roll editor, called the Darkwave editor, which allowed them to control the pitch (when the ship moves on the horizontal axis) and the roll (when it moves on the vertical axis) separately. The combination of moving the ship on both axes allowed the developers to create realistic ship movements. This in turn allowed them to time the exact movement of the ship to coincide with what was happening in the game without having to use a.
However, creating such a realistic movement system led to camera problems. According to programmer, Claude Levastre, early in development, 'the camera was constantly going through the walls because of the roll movement. So we had to develop an inertia-control system for the camera, just as if a cameraman is using a behind the hero.' Another change brought about by the ship's motion was that initially, the movement patterns of inanimate objects on the ship were scripted, but this was later replaced with real physics. ' Cold Fear is a visually spectacular, action horror game. It blends some of what you'd expect from the genre with a unique camera system and a world that pitches and rolls with the waves. The result is a game which is set to change the genre.'
—; makers ofThe ship's constant movement also impacted character animation. Once the ship's movement reached a certain angle, Hansen and any other characters on deck start to slide, and have to compensate in whatever direction was necessary relative to their position. According to Levastre, this meant Hansen required nine times the animations usually seen in third-person games (center, front, back, left, right and four intermediary positions). Ultimately, Hansen had two hundred and fifty separate animations, and most of the had one hundred and fifty. According to Antonin Delboy, lead animator on the game, 'all the technical decisions were taken in favor of animation, both in terms of quality and quantity, which is very rare on this kind of project.' Basic animation was produced with software. Were then used to create the nine directional animations, with the engine calculating the level of character compensation depending on the angle of the ship.
Each character movement is composed of basic animation and compensation animation, and Delboy says that in total, the game contains more than nine hundred animations, allowing for over five thousand possible movements. Levastre stated 'The interaction between the storm and the characters that are on the deck sometimes creates some really breathtaking moments.
And on top of that, we managed to offer some really intense action sequences featuring far more enemies than in most horror games.' Music On February 3, 2005, Ubisoft announced was contributing a song to the game; 'Use Your Fist and Not Your Mouth', from his 2003 album.On February 22, Ubisoft revealed the was being composed. Salta had been hired in November 2004, with his first finished track submitted on November 16.
The completed score was handed in on December 23. According to Salta, he had to compose over twenty different individual pieces as well as music for nine cutscenes; 'It ended up being over an hour's worth of music which I composed in under six weeks.' Reception ReceptionReview scoresPublicationScore5/10B-B-6.9/107.2/107.2/107.6/108.1/1081%Aggregate score66/1/100Cold Fear received 'mixed or average reviews' on all three platforms; the PlayStation 2 version holds an aggregate score of 68 out of 100 on, based on thirty-nine reviews, the Xbox version 71 out of 100, based on forty-one reviews, and the PC version 66 out of 100, based on thirteen reviews.' S Kristan Reed was unimpressed with the game, calling it 'a bit half-baked'. He praised the opening of the game, arguing that, like Hansen himself, the player feels a strong sense of disorientation as they get used to being on the ship in the middle of a storm. However, he felt the strong opening soon gives way to. He was highly critical of the absence of a map, arguing that because the environments all look similar, getting lost is a regular occurrence.
's Carrie Gouskos scored the PlayStation 2 version 6.9 out of 10 and the Xbox version 7.2 out of 10. She argued 'Atmospherically, Cold Fear is derivative and predictable, which is a shame considering that it is, at times, an enjoyable action game.' Although she praised the outdoor scenes on the boat, she felt there were not enough of them, with too many 'generic indoor locations.' She was also highly critical of the lack of a map and the feature, feeling the save points were unevenly distributed.'
S Will Tuttle scored the PlayStation 2 version 3 out of 5 and the Xbox version 3.5 out of 5. He praised the setting, atmosphere and over-the-shoulder camera, but was critical of the lack of a map. He remarked, 'While it's not going to overthrow as King of All Horror Games, Cold Fear is a solid little thriller.'
's JP Hurh gave the game a B. He too criticized the length of the game, the lack of a map and the autosave feature, which he found too random. He praised the and sound, but concluded 'With so much attention paid to the environments, Darkworks almost made a great game. Unfortunately, it's only half a great game. The ending as well as many portions along the way feel rushed.' 's Ed Lewis scored the PlayStation 2 version 7.2 out of 10 and the Xbox version 7.6 out of 10. He praised the over-the-shoulder camera and the setting, but also criticized the lack of a map.
Sales The game was met with extremely poor sales figures. By February 2006, it had sold only 70,000 units across all three platforms in the US. Film adaptation In April 2006, reported that Avatar Films and had co-purchased the rights for a feature film adaptation of the game. However, there have since been no further developments, with the project presumably cancelled.See also. Games Industry Biz. March 8, 2005. Retrieved November 13, 2013.
Retrieved November 13, 2013. Retrieved November 13, 2013. Retrieved November 13, 2013. ^ Calvert, Justin (March 8, 2005).
Retrieved November 18, 2013. ^ Clayman, David (March 10, 2005). Retrieved November 18, 2013. 'Gameplay Controls'. Retrieved February 22, 2016.
'Enemies'. Retrieved February 22, 2016. ^ Tuttle, Will (March 22, 2005). Retrieved November 13, 2013. ^ Lewis, Ed (March 17, 2005).
Retrieved November 13, 2013. ^ Gouskos, Carrie (March 25, 2005). Retrieved November 13, 2013. 'Advanced Moves'. Retrieved February 22, 2016. ^ Levastre, Claude (December 21, 2004). Retrieved November 17, 2013.
'Playing the Game'. Retrieved February 22, 2016. ^ Hurh, JP (March 25, 2005). Retrieved November 13, 2013. Yusupov's Diary: Our first encounters with the creatures we now call the exocels came roughly two months after drilling commenced on the Star of Sakhalin platform. For the first 25 days, drilling was successful, as expected.
And then, even though our confirmed the presence of a huge reserve, the pressure started to drop.Suddenly the drill brought up several exocels that Anischenko and his men had great difficulty in overcoming. Two days later, we noticed more specimens crawling up the platform's columns. I immediately gave Anischenko orders to capture some of them. That's when I saw my first contamination.
Kamsky's Diary: We have deliberately infected and observed over 300 subjects, including, and human beings. Those subjects have been placed under permanent surveillance and to accurately chart the growth of the exocel organism and help us learn how to control the process. The time it takes an infected individual to depends on two factors: how long it takes the exocel to get a into the victim's, and the infected body's natural resistance. Any individual infected by an exocel should be given the antidote as quickly as possible.
If no antidote is available, the host's brain must be destroyed, and I mean destroyed, to prevent the subject from becoming an active, and potentially contaminating host. Indeed, the exocel seems to be able to re-animate a brain that has been clinically dead for several days. Yusupov's Diary: I often wondered what really convinced Kamsky to work for me: the well-being of his beloved daughter, or the first poor-quality shots of the exocel I showed him. When I added that his daughter was already on her way to join him on the Star of Sakhalin, that was the end of it!
He immediately agreed to stay on the platform and supervise the installation and research. As I had expected, Kamsky quickly assured me that the exocel had military potential, but he feared it was uncontrollable. I hope that, unlike the last consignment, the 'specimens' will be ready and in good condition. Kamsky has been insistent about this. Yusupov's Letter: The first phase of the operation has been partially successful. Kamsky and his associates have succeeded in producing powerful, efficacious and dangerous beings that can only be considered monsters.
The injection of a partial antidote prior to forced contamination has given excellent results. Many of these things die quickly, but we have managed to produce creatures that are impervious to bullets, immeasurably stronger than our finest soldiers, and even partly invisible. The possibilities are endless.
Sadly, we have not yet perfected a process by which these monsters can be controlled. This is now our key priority. Letter from Kamsky to Anna: The power within me is greater than what I imagined in my wildest dreams. Still, I have the impression that my is not yet complete.
My arms are continuing to develop. Soon, whoever approaches me will have to suffer the consequences of my furious anger. Anna, at last I have found what I've been looking for: an appointment with immortality. Come with me Anna, it's the most beautiful of all Kingdoms. I have built it for you.Anna, my dear daughter.I feel so strong.I must destroy the antidote.I don't want to go back to where I came from. Pages from Bakharev's diary: November 16: Yusupov left today aboard the whaling ship. He claimed he was going with Lubenski to make sure they get some good specimens for the lab.
I think he just wants to get away from Viktor. At first, Yusupov had to use Anna as a hostage to get Viktor to work for him.
But now, Kamsky is more enthusiastic about it than Yusupov. It is a strange reversal of roles.
Anna also went along, of course. I find myself fearing for her safety. But perhaps she is safer with Colonel Dmitri Yusupov than she is here.
December 4: Viktor has vanished! His notebooks are missing, as is his laptop. The samples of serum and antidote we were working on?
Perhaps he has gone mad and thrown himself into the sea, unable to bear the things he has done. Personally, I don't think so. I am convinced he has decided to experiment upon himself, and that he is hiding somewhere, awaiting metamorphosis.
He often said that his ultimate objective was to arrest the 'exocel' process. He said it would be a tremendous feat to harness the creature's power, mutations and subsequent changes of personality. If I ever set eyes on him again, I do not think I will recognize him. Hopefully, all this is a bad dream.
God help us all if he has succeeded. Dunham, Jeremy (April 24, 2004). Retrieved November 15, 2013. Kohler, Chris (October 6, 2004). Retrieved November 15, 2013. ^ Gouskos, Carrie (March 25, 2005).
Retrieved November 13, 2013. Lewis, Ed (December 2, 2004). Retrieved November 16, 2013. Shoemaker, Brad (December 2, 2004). Retrieved November 16, 2013. Barros, Arnaud (December 21, 2004).
Retrieved November 17, 2013. Dunham, Jeremy (March 9, 2005). Retrieved November 18, 2013.
^ Delboy, Antonin (December 21, 2004). Retrieved November 17, 2013.
February 3, 2005. Retrieved November 17, 2013. Surette, Tim (February 3, 2005).
Retrieved November 17, 2013. February 22, 2005.
Retrieved November 17, 2013. D., Spence (March 24, 2005). Retrieved November 18, 2013. ^. Retrieved November 13, 2013. ^. Retrieved November 13, 2013.
^. Retrieved November 13, 2013.
^ Reed, Kristan (May 4, 2005). Retrieved November 13, 2013. ^ Tuttle, Will (March 22, 2005). Retrieved April 19, 2015.
^. Retrieved April 24, 2015. 'Cold Fear Review (PC)'.: 68. August 2005. 'Cold Fear Review (PS2)'.: 94. May 2005.
'Cold Fear Review (Xbox)'.: 83. May 2005. ^ Thorsen, Tor (April 10, 2006). Retrieved November 19, 2013.External links.
at. on.
I've always been a huge fan of survival horror, and I've had my eye on Cold Fear for awhile now. It's described as 'resident evil at sea', and the reviews are somewhat mixed, giving it a lower rating for lack of content and some backtracking issues. I was determined to pick it up for the XBox at some point, or maybe rent it, until I noticed that Direct 2 Drive had it available on download. Wile D2D might be run by FilePlanet, at least it's no STEAM - I own what I buy, I can re-download at will, and there is no requirement to run an online component to play, so I figured it was a worthy try. I was afraid I'd end up blowing money on another bad console port with wonky controls.
After playing for the first hour or so, I'm pleasantly suprised. I think anyone who enjoys survival horror will find a lot to like in this game. I've only just started playing, but here's my reaction so far:
The good:
After playing for the first hour or so, I'm pleasantly suprised. I think anyone who enjoys survival horror will find a lot to like in this game. I've only just started playing, but here's my reaction so far:
The good:
- The controls can be remapped, and the game works pretty well with a mouse and keyboard (or in my case, a mouse and Belkin Nostromo) but I did have a slight issue mapping keys. Hitting 'enter' to map a key triggered 'enter' as the key I was mapping, so to get it working right I'd have to hit 'enter' and my target key in rapid succession. I thought at first my keyboard was just stuck, but I think it's a bug. Once you've mapped the keys, you're good to go, so I considered it irritating but no big deal.
- I'm sick and tired of Resident Evil fixed-camera games, and I'm happy to say that Cold Fear supports a first person (well, 2nd person) view. The default view is 3rd person fixed camera, where using the keyboard turns your character around. It's good for close-up situations at odd angles, but that's about it. The '2nd person' mode is slightly behind your character's right shoulder, and moves like an FPS game - which is great. Every time you enter a new area, the game defaults back to 3rd person, but 2nd person view is mapped by default to the right mouse button, which I found very easy to use. Kudos for not forcing a fixed camera.
- The first stage is perhaps the single coolest level of any game I've ever played, ranking up there with some of the best scenes in Halo2, with the hoverbike and road levels of HalfLife2, and any number of great gaming moments. (without spoiling much) you start out on a ship in the middle of a storm at sea. The entire ship is rolling back and forth, moving the camera with it. It's raining, the wind keeps shifting, things on deck are sliding around, and the seas are rolling. Standing on the railing and looking out at the ocean, you can actually see twenty foot waves rolling towards the ship, you can feel the boat rocking beneath you, and I actually felt seasick. There's a button to grab a railing and steady yourself, which helps when you're trying to aim on deck. Waves crash into the boat, tossing up huge clouds of foam that can also knock you overboard. To make it worse, the rain hits the camera (the screen) and leaves watery streaks that look incredible! When you move into the cabin, the game doesn't take on a steady mode, the boat is still rocking and things are still sliding around, the camera is still swaying. It's disorienting at first, but totally engrossing.
- The interface is easy to use and instantly familiar. You find ammo, you can scavange things from dead bodies, there's health packs, you can have multiple weapons (but I haven't found any yet). The menu system shows you what your current goals are, you can read any notes you may find, and get some clues.
- Maybe it's because I was really tired, but I found it to be scary. Not 'oh my god, I can't play this alone' scary, but startling at a few points. The thrills are standard survival horror, which (to me) never seem cheap in a game. Dead guys may suddenly spring to life, doors will fly open and monsters will leap out, that sort of thing.
- The character you play understands Russian, which is good because you're on a Russian boat. If you find some writing on the walls in Russian, aim at it and you'll see a translation. Also, your character talks to himself, giving you clues on what to do.
- The PC version is absolutely beutiful and much better than I expected. There's a lot of detail on screen, everything is constantly moving, there's lots of splatter onto the game camera, and the lighting is brilliant. So far, I haven't seen any popping, any odd texture jumps or wierd light mapping. Shooting a guy makes him fly back a bit, his limbs flail about. So far I haven't seen any clipping issues, but that doesn't mean they're not there. I'm playing with a Radeon 9800 128, 1gb RAM, and an Athlon 1.8ghz proc. The framerat is amazing at 1024 x 768, which is my default resolution. I turned all the detail and shadows on high. There's a lot of gore, so this game isn't for the squeamsh.
- The sound is incredible and adds quite a bit to the atmosphere. Inside the ship, you can hear the muffled rumbling of waves and hiss of wind, but outside it's roaring loud, rain pelting everything, metal groaning, chains rattling, waves crashing onto the deck. With 5.1 speakers and an EAX2 sound card, the positional audio is good. Horror is alot about sound, and Cold Fear knows it. There's lots of tense atmosphere with creepy sounds, wails, cries, voices - the kind of sounds that make you expect something to happen and build anticipation until it does.
But it's not perfect.
The Bad:
- This might be a deal killer for some: the save system sucks. There is no instant save, no typewriter save - it's all goal based. You can't save the game until you've completed a bunch of goals, then you get a prompt. This means when you die, you're going to be repeating large chunks of the game. Bad decision, but the game is still fun. We'll see if I have a problem with this later on.
- For some dumb reason, you can't access any edit menus from within the game. Once the game's started, you can't remap keys, change sound settings, video settings etc. Is it really that hard to stick a button in the in-game menu system to change key configs?
- Aside from the brilliant location, it's really just Resident Evil at sea. Most of the game is your standard survival horror moving through corridors, looking for keys to unlock doors. The ship is big, but detailed enough that I didn't get lost. I give them points for some great level design because it actually felt like a ship, but they lose points for the standard 'this door is locked, I need a key' tactic of progression.
Overall, I'm really impressed and would recommend this game to anyone who likes survival horror, or anyone who likes a good action game. The PC version hasn't hit stores yet, but you can get it from Direct 2 Drive. I'll post more as I play through it.
--edit to fix my list mistake--